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Fine Arts--Theatre


What is Theatre
Festivals and Origins
Elements of Classical Tragedy
Renaissance Theatre in England
Elements of Revenge Tragedy
Elizabethan and Shakespearean Acting
French Neoclassicism
French Neoclassicism II
French Theatre--16th and 17th C.
The Nineteenth Century--World Views
The Nineteenth Century--Production Changes
Nineteenth Century--The Well-made Play
Theatre of the Absurd
Absurdism as Philosophy
Existentialism--Search for Meaning
Naturalism--Emile Zola
Realism--Henrik Ibsen
Contemporary Drama: Black Theatre

     Aristotle ‑ The Poetics

     Tragedy is an imitation of an action that is serious,  complete,  and of a certain magnitude. Of importance is the form of action, not the narrative, that emphasizes pity and fear and purges these emotions.     

       Aristotle defined the elements of tragedy after he had observed these elements in the great classical plays of Sophocles.

             1. Plot  ‑ arrangement of incidents

             2. Character ‑ reveals moral  purpose,  indicates what man elects to do or avoids.

             3. Diction ‑ language, expression of meaning in words

             4. Thought ‑ the saying what is possible in given circumstances

             5. Spectacle ‑ production elements of staging of the play. Spectacle is the least artistic element as it relies on viewing the play whereas the other elements are inherent in the reading of the play.

             6. Song ‑ 

         Peripeteia ‑ a change by which the action veers round to its opposite. Thus in Oedipus the messenger comes to cheer Oedipus and free him from his alarms about his mother, but by revealing who he is.

         Chorus ‑ the chorus should be regarded as one of the actors, should be an integral part of the whole, and share in the action.  The chorus often serves as a moral norm in indicating what is a correct or incorrect (moral or immoral) action on the part of a character. Additionally, the chorus usually provides background and supplemental information to establish the plot elements of the play.  

         Hamartia ‑ sin, error in judgment, failure, fault,

         Hubris ‑ wanton arrogance or violence, arising from  passion or  recklessness, insolent disregard of moral laws or restraints.   The tragic hero often demonstrates hubris in disregarding moral law through arrogance. An example is Kreon in Antigone in his disregard for the higher law of funeral rites over the law of man when he declares his nephew shall not be buried.

The term hubris  is found in Aeschylus (Eumenides), Sophocles (Oedipus at  Colonnus,   Electra), Euripides and Aristophanes (The Frogs)

Fine Arts-Theatre with dr.b